He was abducted by Hagrid when he turned 11 so that would place him maybe around the fifth or sixth grade.

I don’t know if canonically there are math classes at Hogwarts.


The thought came to while I was watching the anime Mashle. If you are into Harry Potter and One-Punch Man I’d recommend giving it a watch.


Someone mentioned this community below; I wanted to highlight it.

Small promotion for [email protected]

  • UnderpantsWeevil@lemmy.world
    link
    fedilink
    arrow-up
    3
    arrow-down
    2
    ·
    10 months ago

    Had to jog my memory, because I haven’t read these books in nearly 20 years.

    But yeah. I think the Rowling of the mid-90s was relatively chill and fairly progressive, given the tone of her writing. It wasn’t until she got Disney-fied (or, I guess, Warner Brothers’d) that she took a turn. The novels really take a dive in book 5 and her political opinions just get nastier and nastier after that.

    • Numhold@feddit.de
      link
      fedilink
      arrow-up
      1
      ·
      10 months ago

      The Norberta reveal actually happens in Deathly Hallows. And frankly, I don‘t see a shift that is connected to the movies. What I actually observed was the overcompensation for criticism two books after the fact (remember Winky?) that Shaun described in his video essay.

      • UnderpantsWeevil@lemmy.world
        link
        fedilink
        arrow-up
        1
        ·
        10 months ago

        The Norberta reveal actually happens in Deathly Hallows.

        No wonder I don’t remember. That book was a fat blur.

        And frankly, I don‘t see a shift that is connected to the movies.

        I saw it more in Book 4 and 5, when her writing style changed from something akin to Roald Dahl into a more Twilight/Hunger Games esque YA dramady. She was in the middle of writing Book 4 when the first film premiered and ended up selling the rights to the movies before the fifth was officially started.

        The size the books swelled, and you could tell there was a lot more editorial/ghost-writer punch ups happening along the way. What started as these cute little Christmas-y children’s stories mutated into enormous screenplays.

        What I actually observed was the overcompensation for criticism two books after the fact

        Once Rowling got on social media and started yapping her yap, I think it cast a shadow on the series. The stuff about goblin bankers being a stand-in for jews and the sloppy way she fumbled through Hermonie’s SPEW plotline took on an increasingly sinister cast as she got more vocal in the wake of her movie debuts.

        Also not unlike Roald Dahl, the media comments forced people to re-contextualize a bunch of these fantasy tropes as legit derogatory views.

        Whether they were there early on or whether they only really found their legs once Rowling started hanging out with a bunch of rich British freaks… idk. But they definitely became more obvious as she climbed the economic ladder.